Folding Screen with Design of Rough Sea 波濤図屏風はとうずびょうぶ

Description

比較的小さな寸法に仕立てられた八曲一隻の屏風。画面右下に「対青印」らしき朱文円印があるが、にわかには判読しがたい。本作では俵屋宗達・尾形光琳の双方が描いた《松島図》にも見られる波頭の図案が簡潔にリズムよく描かれ、波の躍動感を伝えている。波形の描写は波の外側にだけ濃い群青色を引き輪郭を際立たせ、波頭部に胡粉で白を着彩し、飛沫や波のうねりの部分に金泥の線で調子をつけて仕上げている。

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Specific Conditions

The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

Data source

Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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Aggregator

The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026