Scenery in Spring and Autumn 春秋山水図しゅんじゅうさんすいず

Description

右隻には春の山路を馬に乗り行く人と荷を担ぎ歩く人を描き、左隻には秋の湖で釣に興じる人々の長閑な風景を描いて、春秋を対比させる。所々着色された草木や山肌が画面をやさしく彩り、遠近法を用いた見事な空間構成もいきている。関雪は中国に40数回足を運び、現地の写生をもとに作品を制作し、四条派の写実性に基づいた「新南画」と呼ばれる独自の世界を形成した。本作はその典型的な作例といえる。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026