Miho-Matsubara 三保松原図みほのまつばらず

Description

謡曲「羽衣」で名高い三保松原は、絵画の画題としても多く描かれてきた。手前に白砂青松、背景に富士を見る構図は今も残されている絶景といえる。この伝統的画題を雅邦は自身の近代的な感性で昇華し、輪郭線を一切排除するとともに、着彩は必要最低限にとどめ、空気遠近法を意識するかのように、前景・中景・遠景と徐々に霞んでいく様を描き、空間を表現している。箱書きには川合玉堂の手によって題字がなされ、大正6年（1917）4月に雅邦の三男である秀邦によって認められた添状が付けられていることから雅邦没後も大切にされた作品であったと推察される。

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Specific Conditions

The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

Data source

Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026