Description
海の向こうに昇りゆく朝日とそれを見守るかのように海辺に寄り立つ3本の松、そしてその合間を埋めるかのようにリズミカルな動きを見せる波。シンプルな画面構成だが、こうした静と動の心地よい調和が画面に適度な緊張感をもたらし、観る者の心を穏やかにさせる。また旭日と霞んだ雲に金泥を施し、主要な部分を墨色で仕上げた簡素な色調が、画面を質実で格調高いものとしている。大正末から昭和の初めにかけては、大観が《生々流転》（東京国立近代美術館蔵）や《瀟湘八景》（大倉集古館蔵）など墨画の傑作を次々と世に送り出した時期。松の精細な表現や、墨の濃淡と筆の擦れの特質を生かして、勢いよく描かれた緩やかな砂丘の描写など、当時の大観の卓越した墨技を窺える佳品である。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026