Description
マルセル・デュシャンの代表作で、後に「大ガラス」として知られる《彼女の独身者たちによって裸にされた花嫁、さえも》（フィラデルフィア美術館蔵）を撮影したもの。同作は長らくデュシャンのアトリエに放置され、埃をかぶった状態であった。作家の意図とは裏腹に創り上げられたという偶然性が、マン・レイに強い霊感を与えたのだろう。自伝によれば、それは「鳥瞰の視点から見た奇妙な風景のようだった」といい、作品に施された装飾によって、埃に凹凸が生まれ、まるで地上絵のような不可思議な光景が広がっている。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026