Description
モランディは、アトリエのテーブルの上に整然と並べられた瓶や器を描いた静物の主題を生涯にわたり執拗に繰り返した。瓶は一種の記号であって、それ自体が重要なのではない。その存在を通して量塊や調子、色や形に還元する作業＝絵画という行為そのものの深化なのである。乳白色を基調とした柔らかな色彩のハーモニーに導かれ、純粋なリズムに溢れた構図は、静謐な均衡と荘厳さに満ちており、古典の伝統と近代の手法を融合した永遠の光を放っている。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026