Folding Screen with Design of Cranes 鶴図屏風つるずびょうぶ

Description

六曲一隻屏風に墨画淡彩で二羽の鶴を描く。鶴の周囲を外隈が施され、その白い身体が強調され、さらに頭部に用いられた朱がアクセントとなり効果的である。鶴の表現や、速筆で描かれた画面を突き抜ける大きな松、没骨で描かれた下草類などに蕭白の水墨技術が看取される。画面左に後補があり、引手跡も確認できることから、襖が屏風形式に改装されたことがわかる。作風、落款、印章などから20代末から30代前半頃の制作と考えられる。

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Specific Conditions

The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

Data source

Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026