Description
［第28回ヴェネツィア・ビエンナーレ出品作］昭和31年（1956）、当時「美術のオリンピック」と称されたヴェネツィア・ビエンナーレへ出品し、国際版画大賞を受賞した歴史的作品。本作は志功が戦後初めて手がけた《鐘渓頌》（24柵）の版木の中から12柵を選び構成したもの。志功はこの作品で初めて身体の中に彫りこみをいれ、丸みをおびた人体表現に成功している。男、女、仁王、阿修羅などの佛者たちが独特の愛すべき人物像として生き生きと描かれる。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
April 29, 2026