Jar withTwo Handles and Design of Deer with Landscape in Famille rose Enamels 粉彩百鹿図双耳壺ふんさいひゃくろくずそうじこ

Description

下膨れの胴部に双耳が付く、商周時代の青銅器の壺を模した壺。粉彩は、ヨーロッパの無線七宝の技術を取り入れて開発された、五彩に比べ微妙なグラデーションが表現できる彩画技法で、康煕年間（1662～1722）に始まる。この作品は、器面全面にそびえる山々を背景に、鹿が木々の間を自由に群れ遊ぶ百鹿図が、風景画のごとく描かれている。「鹿」は、「禄」と通音する吉祥図案。底裏には、2字3行の篆書の青花銘。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026