Description
アポリネールやピカソとの出会いを通じて相次ぐ20世紀の絵画革新の波を体験したローランサンであったが、その作風は甘美で、繊細で、叙情的な彼女独自の世界を創りあげている。真珠の首飾りが描かれるようになるのは1929年以降のことで、バラの花を持つポーズもお馴染のもの。ローランサンの晩年は、からだも未成熟な美少女をアトリエに侍らせ、薄い布をまとわせて絵を描く日々であったという。詩人の言葉を借りれば、それは“女性的なるもの”による“人工楽園”であった。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026