Description
現在、雪佳の描いた「白鳳図」としてよく知られるのは、大正時代末頃の制作の双幅《朝陽老松・白鳳図》（個人蔵）と、昭和天皇即位の大礼の際に制作された《白鳳図》（細見美術館蔵）である。いずれの作品も本作と類似しており、白鳳の首の角度や顔の表情が違うものの、身体の向きはほぼ同じである。白鳳は松の幹にとまり、視線の先にいる何者かを威嚇するような表情を見せる。松と白鳳という取り合わせは、伊藤若冲の《動植綵絵 老松白鳳図》（宮内庁三の丸尚蔵館蔵）を想起させるが、その描法を見ると、大らかな線で描かれた白鳳に、たらし込みの技法を使った松の幹、こんもりとした松葉の塊など、琳派作品から継承した画技が冴えわたっている。落款・印章から制作時期は大正末頃から昭和初期あたりと推測される。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026