Description
コローは、パリ近郊のフォンテーヌブローや父親が別荘を所有していたヴィル=ダヴレーなどで戸外写生を行い、ジャン＝フランソワ・ミレーらバルビゾン派の画家たちや、バルビゾン派と印象派を結ぶ画家シャルル=フランソワ・ドービニーと交遊した。≪家路につく牛飼いの少女≫、≪森のなかの少女≫（1865‐1870年頃、ポーラ美術館蔵）など、牛の番をする少女を配した田園風景は、コローの初期作品からみられ、バルビゾン派の画家たちの作品ほど写実的ではなく、古典的な画面構成と銀灰色に煙ったやわらかな色彩により、詩的情緒の漂う画面となっている。（『モネと画家たちの旅』図録、2007）
Data source
Pola Museum of Art Collection
Acting on with corporate principle, "Pola seeks to contribute to the prosperity and advancement of society through its work in the world of health and beauty" in mind, the Pola Orbis Group has founded...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
March 28, 2023