Description
山から前景の樹木の描き方まで、30代の大雅様式の影響が強く見られ、その様式を忠実に守っている作品である。落ち着いた雰囲気の中に、女性らしい明るい色彩と柔らかく流麗な筆づかいにより、清楚な美しさが漂う世界を表現している。大雅の《溪上高隠図》と対をなすにふさわしい出来の作品で、玉瀾の佳作の一つと言える。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026