Description
「ナチュラル・ペインティング」とも呼ばれる。厚いボード紙の上に思い思いの絵の具を出し、それを2枚のボードではさみ込むことでできた自然の模様をもって作品とする。本作も青の絵の具を上下にうねらせながらボードに乗せた後に、黄色の絵の具を随所に点在させて、はさみ込んだと推察される。このような作家の予測がつかない結果が得られる偶然性を秘めた手法はマン・レイが最も好んだやり方の一つであった。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026