Description
スタジオで使用される反射板に取り付けられた洗濯ばさみが捉えられている。被写体に当たった光により、くっきりとした影が投影され、対照的なフォルムが生まれている。こうした抽象的かつ律動的な造形が、マン・レイにインスピレーションを与えたのだろう。彼は比較的早い時期に写真技術を修得した芸術家の一人だが、本作にもみられるように、カメラを単なる記録する機械としてでなく、一種の芸術性を生み出すツールとして考えていた。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026