Wine Jar with Carved Design of Peony Scrolls, Celadon 青磁刻花牡丹唐草文酒会壺せいじこっかぼたんからくさもんしゅかいこ

Description

底のない胴部を作り、鉢形の底部を内側から落とし込み、釉薬をかけて焼成し底部を融着させる。この製作技法は、南宋時代から明時代にいたる龍泉窯の大型製品に用いられている。明時代前期の濃い青緑色の青磁は、日本で「天龍寺青磁」と呼ばれ、これを納める木箱の蓋表にも「天龍寺花瓶　壱」と墨書される。名称については、天龍寺造営資金調達のための貿易船が、この類の青磁を日本にもたらしたことに由来するなど、諸説ある。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026