Vase with Painted Black Design of Peony,White Slip 白地鉄絵牡丹文瓶しろじてつえぼたんもんへい

Description

白地黒掻落の白と黒の視覚効果をより簡単に可能としたのが、金時代に登場する白地鉄絵の技法である。この作品は、白化粧の後、鉄絵で2面に牡丹折枝文を描き、花弁には櫛描きを、花の輪郭と葉脈には線刻を加えている。文様の細部を表現するために、鉄絵の上に線刻を施すことによって、より全体が引き立ち、軽快な仕上がりとなっている。梅瓶の下半分を切り落としたような形のこの瓶は、「太白尊（たいはくそん）」や「吐魯瓶（とろびん）」などとも呼称される。

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Specific Conditions

The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

Data source

Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026