Description
白化粧を施し、見込みには、線刻で大きな牡丹文を表し、余白は櫛描きで埋める。周りには、蔓唐草らしき文様がまわり、透明釉を掛けて焼成する。白化粧を施し、まだ乾かぬうちに素早く先の尖った竹や木で文様を線刻する技法は、磁州窯でよく知られた装飾技法の一つである。当初は、線刻のみを用いたが、後に櫛状の工具を加えた技法が現れた。余白を櫛描きで埋めることで、主文様を際立たせる効果を生んでいる。見込み中央には、5箇所の目跡が残る。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026