Mei-ping Vase with Black Sgraffiato Design of Peony,White Slip 白地黒掻落牡丹文梅瓶しろじくろかきおとしぼたんもんめいぴん

Description

全面に塗った白化粧の上に鉄釉を掛け、6箇所に線刻で上向きの大振りな牡丹唐草文を配し、肩部と裾部にはそれぞれ花弁文を線刻する。余白部分は鉄釉を掻き落とし、白地に黒の牡丹文を表す。その後、鉄釉を掻き落とした部分にさらに白釉を補っている。白地黒掻落の技法は、磁州窯を代表する装飾技法であり、白と黒の対比が明確で美しく、技術力の高さを窺うことのできる作品である。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026