Jar with Two Handles and Design of Clouds, Painted Earthenware 灰陶加彩雲気文双耳壺かいとうかさいうんきもんそうじこ

Description

焼成前に文様を描いている彩陶に対し、この壺は焼いた後に施文している。土器の上に、赤、灰、紫などの絵具で、雲気文、鋸歯文などの文様を描いている。華北の戦国時代の墓にはこうした金属器、漆器を写した土器が副葬されることが多い。秦始皇帝兵馬俑も全身に彩色されていた。華南の漢墓からは加彩土器は少なく、灰釉陶器がそれに代わることが多い。

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Specific Conditions

The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026