Jar with Two Handles and Incised Design of Flower-and-bird, Ash Glaze 灰釉刻花鳥文双耳壺かいゆうこっかちょうもんそうじこ

Description

灰釉陶器は、前漢時代後期から後漢時代にみられる。この灰釉陶器は、素地が赤褐色で、肩にのみ施釉されており、原始青磁のなかに入れるべきかどうかは疑問がある。いわゆる炻器と呼ぶべき灰釉陶器である。壺の上半部には、突帯で3つに区画したなかに、簡略化した鳥文を線刻している。肩の両側には湾曲した把手（鋪首）が一対付く。把手には鬼面が線刻されている。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026