Jar with Two Handles and Incised Design, Ash Glaze 灰釉刻文双耳壺かいゆうこくもんそうじこ

Description

釉薬を掛けた陶磁器は商時代、さらにそれより前の夏時代（二里頭期紀元前1200年頃）に始まるとされているが、その技術のルーツ、始まりが華南か、華北かははっきりしない。原始青磁、原始磁器と呼ばれる。この壺は金属器の壺を忠実に写した器形であり、さらに釉薬が掛ることで、金属器の雰囲気をより強くしている。華南の戦国時代の墓からは、こうした金属器を写した灰釉陶器が副葬品として納められており、青銅器の代用品として製作されたのである。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

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Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026