Description
この作品はライボルトがイタリア留学を終えてウィーンに戻ってまもなくの頃の作品。静謐で安定した画面、輪郭線の重視、盛期ルネサンス風の色面構成などはライボルトの古典主義的手法の成熟を示すものである。しかし、モデルの健康的な女性の肉体美に見られる写実的傾向、温かみのある顔の表情や幼い娘の愛らしい仕草などは、冷たい古典主義理論とは無縁であり、ここに時代の空気とも言うべきロマン主義の影響、さらにはライボルトが肖像画家として大成功をおさめることになった要因を見てとることができよう。
Data source
Tokyo Fuji Art Museum Collection Database
This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
January 9, 2026