Seashore and Cliffs of Pourville in the Morning プールヴィルの断崖ぷーるう゛ぃるのだんがい

Description

明るい太陽の光に照射された空、海、切り立った断崖。まばゆいばかりの光の乱舞に、刻々と変容する自然の諸相。移ろいゆく色彩の戯れを短いタッチの積み重ねの上に記録したこの作品は、モネの絵画制作の真髄を魅せる。従来の固有色という色彩の観念を捨てて、自分の眼に見える通りの色をカンヴァスの上に置いてゆく方法は、印象派の画家たちによる全く新しい描き方であった。この年の夏、モネはこの海岸を集中的に描いている。

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The artworks whose digital images are shown in the Tokyo Fuji Art Museum Collection Database are public-domain works whose copyrights had expired. With regard to any rights including copyright that we have as a result of our production of digital images, CC0 (Creative Commons Zero) is applied to the digital images.

Data source

Tokyo Fuji Art Museum Collection Database

This database showcases some 2,000 objects from our collection of some 30,000 pieces of artworks from various periods and cultures including Japanese, Eastern and Western works, ranging from paintings...

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The Japanese Council of Art Museums

　The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. 　JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).

Last updated

January 9, 2026