Description
元禄以降、伊万里では色絵が染錦手（そめにしきで）を守ったのに対し、染付は新しい展開を示し、凄じいほどの多様な文様と豊穣な意匠の世界を作り上げた。この皿は青磁釉と染付を塗り分け、とらわれない自由な発想で亀と鶴を描き民衆の器に相応しい活気溢れた作となった。
Data source
ColBase
"ColBase: Integrated Collections Database of the National Institutes for Cultural Heritage, Japan" is a service that enables a multi-database search of the collections in the four national museums (To...
Contents holder/Provider
Aggregator
National Institutes for Cultural Heritage
The National Institutes for Cultural Heritage (NICH) comprise four National Museums (Tokyo National Museum, Kyoto National Museum, Nara National Museum, and Kyushu National Museum) and two National Research Institutes for Cultural Properties (Tokyo National Research Institute for Cultural Properties, and Nara National Research Institute for Cultural Properties), as well as the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in Sakai City, for a total of seven institutions.
Last updated
March 30, 2026