Description
金銀泥を用いて大胆に描く蓮下絵は、古来、俵屋宗達＠たわらやそうたつ＠の筆といわれており、独特のたらし込みの手法がかいま見られます。その上に光悦が『百人一首』の和歌を散らし書きし、その書は下絵と見事な調和を醸し出しています。
Data source
ColBase
"ColBase: Integrated Collections Database of the National Institutes for Cultural Heritage, Japan" is a service that enables a multi-database search of the collections in the four national museums (To...
Contents holder/Provider
Aggregator
National Institutes for Cultural Heritage
The National Institutes for Cultural Heritage (NICH) comprise four National Museums (Tokyo National Museum, Kyoto National Museum, Nara National Museum, and Kyushu National Museum) and two National Research Institutes for Cultural Properties (Tokyo National Research Institute for Cultural Properties, and Nara National Research Institute for Cultural Properties), as well as the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in Sakai City, for a total of seven institutions.
Last updated
June 1, 2026