Description
第4回の文展に出品された満谷36歳の時の作。明治美術界、太平洋画界と続くオーソドックスな画風を代表し、加えて満谷独自の堅実平明な風俗表現がみられます。夏の日の二階の何でもない情景を、巧みな光の扱い方で新鮮な印象にまとめています。
Data source
ColBase
"ColBase: Integrated Collections Database of the National Institutes for Cultural Heritage, Japan" is a service that enables a multi-database search of the collections in the four national museums (To...
Contents holder/Provider
Aggregator
National Institutes for Cultural Heritage
The National Institutes for Cultural Heritage (NICH) comprise four National Museums (Tokyo National Museum, Kyoto National Museum, Nara National Museum, and Kyushu National Museum) and two National Research Institutes for Cultural Properties (Tokyo National Research Institute for Cultural Properties, and Nara National Research Institute for Cultural Properties), as well as the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in Sakai City, for a total of seven institutions.
Last updated
March 30, 2026