Description
{i=>[shikoro], content=>[This statue originally came from Iwashimizu Hachiman-gū Shrine in Kyoto Prefecture. The masculine pose suggests that a sculptor influenced by the Kei school of Buddhist sculptors produced this work. Gold paint was used extensively to depict more figurative motifs such as clouds with dragons as well as phoenixes and flowers with leaves instead of geometric pattern. The lappet of the helmet (Jpn. , ) was carved from different wood and is attached by chains.]}
This statue originally came from Iwashimizu Hachimangū Shrine in Kyoto Prefecture. The masculine expression suggests that the Buddhist sculptor who was influenced by Kei school made this work. Gold paint has been broadly applied and depicted more figurative motives such as cloud with dragon, phoenix and flower with leaf, instead of geometric pattern. The lappet of the helmet (Shikoro) was carved from a different wood and it was hooked by chains.
Data source
ColBase
"ColBase: Integrated Collections Database of the National Institutes for Cultural Heritage, Japan" is a service that enables a multi-database search of the collections in the four national museums (To...
Contents holder/Provider
Aggregator
National Institutes for Cultural Heritage
The National Institutes for Cultural Heritage (NICH) comprise four National Museums (Tokyo National Museum, Kyoto National Museum, Nara National Museum, and Kyushu National Museum) and two National Research Institutes for Cultural Properties (Tokyo National Research Institute for Cultural Properties, and Nara National Research Institute for Cultural Properties), as well as the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in Sakai City, for a total of seven institutions.
Last updated
June 1, 2026