Description
この時、三代目歌右衛門は二度目の下江で、ライバル三代目三津五郎との共演が話題になり、大人気だったところに、五月の予定が六月に延引して、待ち焦れたファンが大挙して押し掛けたのだった。「双蝶々曲輪日記」は、長吉と長五郎という二人の角力取の主人公が登場する芝居で、拮抗する大立物がいる座で上演されることが多い。煙0711.712の「蝶☆山崎踊」も「双蝶々」の書き替え狂言であり、団十郎と菊五郎の同座という事情があった。しかも、この興行は、大切に「戻駕色相肩」を歌右衛門と三津五郎の二人で演じているが、「蝶☆山崎踊」の時も「戻駕」の書替ものが出ている（煙0769.煙0336）。本作は「米屋場の段」。姉の留守中、放駒は濡髪を家に呼び、濡髪が門口にたどりついたところである。この後、煙0718.0728の場面へと移っていく。
Data source
ARC Ukiyo-e Portal Database
ARC Ukiyo-e Portal Database enables a user to search and view a variety of ukiyo-e which is published on the web including the collection of Art Research Center, Ritsumeikan University.
Contents holder/Provider
Aggregator
Art Research Center, Ritsumeikan University
The Art Research Center was established in 1998. Since then, the Center’s mission has been not only to conduct historical and social research and analyses of both tangible and intangible human cultural properties such as visual and performing arts and craftsmanship, but also to record, organize, preserve, and disseminate the research outcomes. To make the vast amount of database of resources on Japanese culture kept at the Art Research Center available to joint researchers in and outside of Japan, while providing the hitherto accumulated digital archiving and database management technologies as the basis for research project activities to promote information archiving and the circulating of joint research on knowledge. Through these undertakings, the Center aims to “become a world class research center” in the field of Digital Humanities.
Last updated
December 31, 202607