Description
鑑画会における有力画家であった雅邦による本作品は、明治初期における新美術の創造の動きの中で制作されたもので、雅邦の画歴の中においてももっとも実験精神に富み、完成度の高いもののひとつである。雪舟らを模範とした漢画の表現法を表現の基盤に置きながら、奥行きのある三次元的な空間表現を行うことがどこまで可能かという課題がここに追求されている。この作品は、かつてボストン美術館ビゲロー・コレクションに含まれ、昭和初期に里帰りしたものである。
Data source
The collection of Aichi Prefectural Museum of Art
The museum’s collection is particularly well endowed with international and domestic fine art from the 20th century. It contains significant works that are helpful in tracing the history of various ar...
Contents holder/Provider
Aggregator
The Japanese Council of Art Museums
The Japanese Council of Art Museums (JCAM) supports the accomplishment of mission of art museums and seeks to assist art museums in fully basing their activities in a social context. The organization holds an annual meeting, memorial forums at annual meetings, lectures, Curatorial Study Meetings, and Study Group activities every year. The information and reports generated by these various activities are then expected to be shared with member museums, the greater art-related world and the general public. JCAM was founded in 1952 with the aim of providing a forum for art museums in Japan to think and act together. The organization was registered as a general incorporated association on April 1st, 2020 and includes over 450 members (full members, individual members and supporting members).
Last updated
July 13, 2020