江戸人と海

広重〈1〉,［越平］ 越村屋　平助

(69枚＋目録　以下、目録題に拠る）(五畿内)01山城　あらし山・02大和　たつた川・03河内　ひらかた・04和泉　たかしのはま・05摂津　住よし・(東海道)06伊賀　上野之景・07伊勢　あさま山・08志摩　鳥羽湊・09尾張　津島祭・10三河　鳳来寺・11遠江　浜名の湖・12駿河　三保の松原・13甲斐　さるはし・14伊豆　しゆぜんじ・15相模　江のしま・16武蔵　隅田川・17同　浅くさ市・18安房　小みなと・19上総　九十九里・20下総　てうしの浜・21常陸　かしま・(東山道)22近江　ひはのうみ・23美濃　養老滝・24飛騨　かごわたし・25信濃　さらしな・26上野　はるな・27下野　日光山・28陸奥　松しま・29出羽　もがみ川・(北陸道)30若狭　鰈網の図・31越前　気比の松原・32加賀　蓮湖・33能登　滝の浦・34越中　富山舟はし・35越後　親しらす・36佐渡　金山・(山陰道）37丹波　つりかねざか・38丹後　あまのはし立・39但馬　岩井たに・40因幡　加路小山・41伯耆　大野・42出雲　大やしろ・43石見　たかつ山・44隠岐　焚火のやしろ・(山陽道)45播磨　舞子の浜・46美作　山伏谷・47備前　ゆうが山・48備中　ふでだに・49備後　阿武門・50安芸　いつく島・51周防　錦帯橋・52長門　下の関・(南海道)・53紀伊　和歌の浦・54淡路　五色の浜・55阿波　鳴門・56讃岐　亀頭山・57伊予　西条・58土佐　松魚釣・(西海道)59筑前　箱崎・60筑後　やなかせ・61豊前　羅漢寺下道・62豊後　みのさき・63肥前　長崎・64肥後　五ヶの荘・65日向　ゆつの湊・66大隅　桜しま・67薩摩　坊の津・68壱岐　志作・69対馬　海岸夕晴

広重〈1〉

博物局編、栗本丹洲他筆,東京国立博物館,Tokyo National Museum

<p>This scrapbook features various species of fish drawn on 1,864 pieces of paper. Most of these are cuttings from other albums, though there are new illustrations too, including 571 drawn by Kurimoto Masayoshi, a physician who worked for the samurai government in the 19th century. Around half of these are copied from an 18th century album. This scrapbook also features illustrations by Takahashi Yuichi, one of the first Japanese painters to properly study Western oil painting techniques. Ten painters were involved with the production of these illustrations in total.<br /><br />The fish are drawn in meticulous detail, some with delicate brushstrokes and others with a riot of color. The natural feel of some illustrations has been enhanced by the addition of color from underneath or the application of a lustrous shiny powder. The illustrations are also accompanied by inscriptions recording distinguishing features such as shape and color as well as alternative names and breeding grounds.<br /><br />The study of natural history took off in Japan from the 18th century as researchers began to make detailed records about animals, plants and minerals. This led to the compilation of reference books filled with detailed illustrations and information. This example is one of the scrapbooks of large animal and plant illustrations compiled by Tanaka Yoshio, a natural historian who played a pivotal role in the establishment of the Tokyo National Museum in 1872.</p>

博物局編、栗本丹洲他筆,Compiled by the Museum Bureau; by Kurimoto Tanshu (1756-1834) and others,東京国立博物館,Tokyo National Museum

<p>This scrapbook features various species of fish drawn on 1,864 pieces of paper. Most of these are cuttings from other albums, though there are new illustrations too, including 571 drawn by Kurimoto Masayoshi, a physician who worked for the samurai government in the 19th century. Around half of these are copied from an 18th century album. This scrapbook also features illustrations by Takahashi Yuichi, one of the first Japanese painters to properly study Western oil painting techniques. Ten painters were involved with the production of these illustrations in total.<br /><br />The fish are drawn in meticulous detail, some with delicate brushstrokes and others with a riot of color. The natural feel of some illustrations has been enhanced by the addition of color from underneath or the application of a lustrous shiny powder. The illustrations are also accompanied by inscriptions recording distinguishing features such as shape and color as well as alternative names and breeding grounds.<br /><br />The study of natural history took off in Japan from the 18th century as researchers began to make detailed records about animals, plants and minerals. This led to the compilation of reference books filled with detailed illustrations and information. This example is one of the scrapbooks of large animal and plant illustrations compiled by Tanaka Yoshio, a natural historian who played a pivotal role in the establishment of the Tokyo National Museum in 1872.</p>

博物局編、栗本丹洲他画,Compiled by the Museum Bureau, illustrated by Kurimoto Tanshū (1756–1834) and others,東京国立博物館,Tokyo National Museum

<p>This scrapbook features various species of fish drawn on 1,864 pieces of paper. Most of these are cuttings from other albums, though there are new illustrations too, including 571 drawn by Kurimoto Masayoshi, a physician who worked for the samurai government in the 19th century. Around half of these are copied from an 18th century album. This scrapbook also features illustrations by Takahashi Yuichi, one of the first Japanese painters to properly study Western oil painting techniques. Ten painters were involved with the production of these illustrations in total.<br /><br />The fish are drawn in meticulous detail, some with delicate brushstrokes and others with a riot of color. The natural feel of some illustrations has been enhanced by the addition of color from underneath or the application of a lustrous shiny powder. The illustrations are also accompanied by inscriptions recording distinguishing features such as shape and color as well as alternative names and breeding grounds.<br /><br />The study of natural history took off in Japan from the 18th century as researchers began to make detailed records about animals, plants and minerals. This led to the compilation of reference books filled with detailed illustrations and information. This example is one of the scrapbooks of large animal and plant illustrations compiled by Tanaka Yoshio, a natural historian who played a pivotal role in the establishment of the Tokyo National Museum in 1872.</p><br /><p>This album includes 1,864 images depicting various types of fish. Some illustrations were taken from other albums while others were newly drawn specifically for this project. The illustrators include Kurimoto Tanshū, a doctor and natural scientist, and Takahashi Yuichi, an oil painter.</p>

北渓,松風台,（尚製） （窪　俊満）

歌川広重筆,By Utagawa Hiroshige (1797-1858),東京国立博物館,Tokyo National Museum

豊国, 和泉屋市兵衛

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目録題:[地震鯰に関する絵]

国貞〈1〉,久 山本　平吉