{"common":{"access":"PUBLIC","apiType":"ok","category":["art","cultural"],"contentsAccess":"internet","contentsRightsType":"cc0","contentsType":"image","contentsUrl":["https://www.fujibi.or.jp/webp/assets/images/artwork/source/04375.jpg.webp"],"contributor":["歌川広重","Utagawa Hiroshige"],"database":"tfam_art_db","dclass":"291","description":"現在の京都市東山区にあたる。江戸の日本橋を起点に始まった《東海道五拾三次》も京の玄関口といわれた三条大橋が終着点である。鴨川に架かる三条大橋。川向こうには京都の町並みが広がり、その背後には東山三十六峰が見える。本図で三条大橋の橋桁は木組みで描かれるが、実際は石製の橋杭だったという。橋上は駕籠持ちや飛脚、茶筅売り、被衣姿の女性、見物客など多種多様な人々で賑わい、古来より栄えてきた京都の活気を思わせる。","id":"tfam_art_db-4375","lastUpdatedDate":1793323131277,"linkUrl":"https://www.fujibi.or.jp/collection/artwork/04375/","ownerOrg":"ZENBI","provider":"fujibi","subCategory":["西洋美術","東洋美術","日本美術"],"temporal":["天保4-5年（1833-34）","1833-34 (Tenpo 4-5)"],"thumbnailUrl":["https://www.fujibi.or.jp/webp/assets/images/artwork/500x500/04375.jpg.webp"],"title":"東海道五拾三次之内　京師 三条大橋","titleEn":"Fifty-three Stations on the Tokaido: The Great Sanjo Bridge in Kyoto","titleYomi":"とうかいどうごじゅうさんつぎのうち　けいし　さんじょうおおはし"},"id":"tfam_art_db-4375","rdfindex":{"spatial":["日本"],"temporal":["1833～1834年"],"type":["版画"]},"tfam_art_db-0-s":"4375","tfam_art_db-1-s":"歌川広重","tfam_art_db-2-s":"Utagawa Hiroshige","tfam_art_db-3-s":"うたがわひろしげ","tfam_art_db-4-s":"寛政9（1797）-安政5（1858）","tfam_art_db-5-s":"1797-1858","tfam_art_db-6-s":"日本","tfam_art_db-7-s":"Japanese","tfam_art_db-8-s":"13歳の時、家督を継ぐと同時に父母を亡くす。15歳で歌川豊広の門に入り、広重と名乗る。師豊広が没し、天保2年（1831）に《東都名所》、翌3年（1832）に代表作ともなる《東海道五拾三次之内》を版行。風景画家として不動の地位を築く。以後、注文が相次ぎ、渓斎英泉と作品を分け合った《木曾海道六拾九次》など、詩情豊かな名所絵を多く手がけた。最晩年、画技を凝縮した《名所江戸百景》を発表し掉尾を飾った。","tfam_art_db-9-s":"At the age of 13, he inherited the family estate and lost his parents at the same time. At 15, he became a disciple of Utagawa Toyohiro, and took on the name Hiroshige. His teacher Toyohiro passed, and Hiroshige published Famous Places in the Eastern Capital in 1831, and the next year in 1832, published The Fifty-three Stations of the Tokaido, which would be his masterpiece. This firmly established his status as a landscape artist. From that point on, he received commissions one after another, and worked on many pictures of famous places, rich in poetic sentiment, including The Sixty-nine Stations of the Kiso Kaido, co-created with Keisai Eisen. In his final years, he released the culmination of his artistic skill, One Hundred Famous Views of Edo, as his last crowning achievement.","tfam_art_db-10-s":"東海道五拾三次之内　京師 三条大橋","tfam_art_db-11-s":"Fifty-three Stations on the Tokaido: The Great Sanjo Bridge in Kyoto","tfam_art_db-12-s":"とうかいどうごじゅうさんつぎのうち　けいし　さんじょうおおはし","tfam_art_db-13-s":"1","tfam_art_db-14-s":"天保4-5年（1833-34）","tfam_art_db-15-s":"1833-34 (Tenpo 4-5)","tfam_art_db-16-s":"木版多色刷　横大判錦絵","tfam_art_db-17-s":"Color woodblock print on paper","tfam_art_db-18-s":"22.6×34.4cm","tfam_art_db-19-s":"22.6 x 34.4 cm","tfam_art_db-20-s":"現在の京都市東山区にあたる。江戸の日本橋を起点に始まった《東海道五拾三次》も京の玄関口といわれた三条大橋が終着点である。鴨川に架かる三条大橋。川向こうには京都の町並みが広がり、その背後には東山三十六峰が見える。本図で三条大橋の橋桁は木組みで描かれるが、実際は石製の橋杭だったという。橋上は駕籠持ちや飛脚、茶筅売り、被衣姿の女性、見物客など多種多様な人々で賑わい、古来より栄えてきた京都の活気を思わせる。","tfam_art_db-22-s":"版画","tfam_art_db-23-u":"https://www.fujibi.or.jp/collection/artwork/04375/","tfam_art_db-24-u":"https://www.fujibi.or.jp/webp/assets/images/artwork/source/04375.jpg.webp","tfam_art_db-25-u":"https://www.fujibi.or.jp/webp/assets/images/artwork/500x500/04375.jpg.webp"}