{"common":{"access":"PUBLIC","apiType":"ok","category":["art","cultural"],"contentsAccess":"internet","contentsRightsType":"cc0","contentsType":"image","contentsUrl":["https://www.fujibi.or.jp/webp/assets/images/artwork/source/04323.jpg.webp"],"contributor":["歌川広重","Utagawa Hiroshige"],"database":"tfam_art_db","dclass":"291","description":"現在の神奈川県川崎市川崎区にあたる。東海道五拾三次の道のりの最初に渡る大きな川が本図で描かれる多摩川である。対岸に見えるのが川崎宿。多摩川は六郷川とも呼ばれ、ここを渡す船は「六郷の渡し」といわれた。もともとは大きな橋が架けられていたが、たびたび洪水で流されたため、舟で渡河するようになったという。画面奥には西日で真っ赤に染まった空と雪化粧した富士の姿のコントラストが美しく、情感をかき立てられる。","id":"tfam_art_db-4323","lastUpdatedDate":1793323131277,"linkUrl":"https://www.fujibi.or.jp/collection/artwork/04323/","ownerOrg":"ZENBI","provider":"fujibi","subCategory":["西洋美術","東洋美術","日本美術"],"temporal":["天保4-5年（1833-34）","1833-34 (Tenpo 4-5)"],"thumbnailUrl":["https://www.fujibi.or.jp/webp/assets/images/artwork/500x500/04323.jpg.webp"],"title":"東海道五拾三次之内　川崎 六郷渡舟","titleEn":"Fifty-three Stations on the Tokaido: Rokugo Ferry at Kawasaki","titleYomi":"とうかいどうごじゅうさんつぎのうち　かわさき　ろくごうわたしぶね"},"id":"tfam_art_db-4323","rdfindex":{"spatial":["日本"],"temporal":["1833～1834年"],"type":["版画"]},"tfam_art_db-0-s":"4323","tfam_art_db-1-s":"歌川広重","tfam_art_db-2-s":"Utagawa Hiroshige","tfam_art_db-3-s":"うたがわひろしげ","tfam_art_db-4-s":"寛政9（1797）-安政5（1858）","tfam_art_db-5-s":"1797-1858","tfam_art_db-6-s":"日本","tfam_art_db-7-s":"Japanese","tfam_art_db-8-s":"13歳の時、家督を継ぐと同時に父母を亡くす。15歳で歌川豊広の門に入り、広重と名乗る。師豊広が没し、天保2年（1831）に《東都名所》、翌3年（1832）に代表作ともなる《東海道五拾三次之内》を版行。風景画家として不動の地位を築く。以後、注文が相次ぎ、渓斎英泉と作品を分け合った《木曾海道六拾九次》など、詩情豊かな名所絵を多く手がけた。最晩年、画技を凝縮した《名所江戸百景》を発表し掉尾を飾った。","tfam_art_db-9-s":"At the age of 13, he inherited the family estate and lost his parents at the same time. At 15, he became a disciple of Utagawa Toyohiro, and took on the name Hiroshige. His teacher Toyohiro passed, and Hiroshige published Famous Places in the Eastern Capital in 1831, and the next year in 1832, published The Fifty-three Stations of the Tokaido, which would be his masterpiece. This firmly established his status as a landscape artist. From that point on, he received commissions one after another, and worked on many pictures of famous places, rich in poetic sentiment, including The Sixty-nine Stations of the Kiso Kaido, co-created with Keisai Eisen. In his final years, he released the culmination of his artistic skill, One Hundred Famous Views of Edo, as his last crowning achievement.","tfam_art_db-10-s":"東海道五拾三次之内　川崎 六郷渡舟","tfam_art_db-11-s":"Fifty-three Stations on the Tokaido: Rokugo Ferry at Kawasaki","tfam_art_db-12-s":"とうかいどうごじゅうさんつぎのうち　かわさき　ろくごうわたしぶね","tfam_art_db-13-s":"1","tfam_art_db-14-s":"天保4-5年（1833-34）","tfam_art_db-15-s":"1833-34 (Tenpo 4-5)","tfam_art_db-16-s":"木版多色刷　横大判錦絵","tfam_art_db-17-s":"Color woodblock print on paper","tfam_art_db-18-s":"22.6×34.4cm","tfam_art_db-19-s":"22.6 x 34.4 cm","tfam_art_db-20-s":"現在の神奈川県川崎市川崎区にあたる。東海道五拾三次の道のりの最初に渡る大きな川が本図で描かれる多摩川である。対岸に見えるのが川崎宿。多摩川は六郷川とも呼ばれ、ここを渡す船は「六郷の渡し」といわれた。もともとは大きな橋が架けられていたが、たびたび洪水で流されたため、舟で渡河するようになったという。画面奥には西日で真っ赤に染まった空と雪化粧した富士の姿のコントラストが美しく、情感をかき立てられる。","tfam_art_db-21-s":"The location of this image is what is now known as Kawasaki, in Kanagawa. It is where the Tamagawa river, the first to be crossed on the route of the Tokaido, and the one shown in this piece, lies. What is seen on the other side of the river is the Kawasaki-Juku post town. Tamagawa river was also known as the Rokugo river, and the boats that ferried people across it the \"Rokugo Ferries\". Originally there was a big bridge, but it was swept away several times by floods, so these ferries were used instead. At the back of the frame, stirring our sentiments, there is a beautiful contrast of the red sky of the sunset with a white, snow-powdered Mount Fuji.","tfam_art_db-22-s":"版画","tfam_art_db-23-u":"https://www.fujibi.or.jp/collection/artwork/04323/","tfam_art_db-24-u":"https://www.fujibi.or.jp/webp/assets/images/artwork/source/04323.jpg.webp","tfam_art_db-25-u":"https://www.fujibi.or.jp/webp/assets/images/artwork/500x500/04323.jpg.webp"}