{"id":"ndl-ZwlK4987YNP","curationType":"GALLERY","title":{"ja":"燕子花・杜若(カキツバタ)","en":"Kakitsubata (a Japanese Iris)","yomi":"かきつばた"},"summary":{"ja":"古くから栽培され、季語としても親しまれる草花。初夏に紫の可憐な花を咲かせる","en":"Kakitsubata, one type of Japanese iris, blooms in early summer into a pretty purple flower and has been cultivated since traditional times; the word kikitsubata is also familiar as a seasonal word "},"rights":{},"rightsType":"ccby","tag":[{"id":"o-natural","label":{"ja":"自然物","en":"Natural Objects"}},{"id":"w-ndc47","label":{"ja":"植物学","en":"Botany"}},{"id":"w-ndc62","label":{"ja":"園芸","en":"Horticulture"}}],"responsibility":{"ja":"ただし、画像は個々の権利表示による","en":"except images: check each right statement"},"image":{"url":"https://images.metmuseum.org/CRDImages/as/original/DP141267.jpg","thumbnailUrl":"https://images.metmuseum.org/CRDImages/as/web-thumb/DP141267.jpg","itemId":"arc_nishikie-MET_DP141267","itemIndex":"0","imgType":"ITEM","x":10,"y":23,"w":1871,"h":1249,"title":{},"description":{},"source":{}},"permission":{"publicationLevel":"PUBLIC","level":"PUBLIC","ownerOrg":"ndl"},"edit":{"orgId":"jpsadm","date":1746082370766},"parts":[{"cpid":"6udwbp11r1bj6","type":"jps-curation-text","ja":{"ops":[{"insert":"アヤメ科アヤメ属Irisの多年草。東アジアの水辺に生え、アヤメ属植物中で最も水を好む。高さ50～70cmで、葉は劍状。5月に青紫まれに白色の花を2、3つける。「いずれアヤメかカキツバタ」といわれるように、アヤメによく似るが、葉の幅が1～3cm（アヤメは1cm以下）と太いことなどから区別される。\nイギリスでは1920年頃までハナショウブと混同されていたというが、カキツバタは外側の花弁（外花被片）の中央に１本の白線が目立ち、アヤメには網目模様があり、ノハナショウブには黄色の線があるので区別できる。日本ではノハナショウブから品種改良されたハナショウブが江戸時代に、世界に誇りうる水準で、重要な園芸植物として育成されたのに対し、カキツバタやアヤメの品種改良はなされず、約20種を数えるにすぎない。\nアヤメ属植物中最も古くから親しまれている花で、『万葉集』にも詠まれているが、「かきつばた」の名は「書付花（かきつけばな）」の変化したもので、昔は、その花の汁で布を染めたところからいう。一般に「燕子花・杜若」と書くが、漢名としてはいずれも誤用。\n『伊勢物語』の「東下り」の「かきつはた」の5文字を歌の句の上に置いて詠まれた、「から衣　きつゝなれにし　つましあれば　はるばるきぬる　旅をしぞおもふ（着なれた唐衣のように、なれ親しんだ妻が都にいるので、はるばる来てしまった旅をしみじみと思う）」は古来知られている。\n\n"}]},"en":{"ops":[{"insert":"Kakitsubata","attributes":{"italic":true}},{"insert":" ("},{"insert":"Iris laevigata","attributes":{"italic":true}},{"insert":"), one species of Japanese iris, is a perennial in the family Iridaceae. Its name, "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":", can be written in Chinese characters as either 杜若 or 燕子花. This flower grows on the waterfronts of East Asia and prefers water the most among all Iridaceae plants. It grows to a height of 50 to 70 centimeters, and its leaves are sword-shaped. In May it produces a few blue-purple or (rarely) white flowers. \n       In Japan, people often say, \"What does it matter whether it's "},{"insert":"ayame","attributes":{"italic":true}},{"insert":" or "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":"?\" ("},{"insert":"Izure ayame ka kakitsubata","attributes":{"italic":true}},{"insert":"), meaning \"A difference that doesn't matter.\" As this saying shows, it is difficult to distinguish "},{"insert":"ayame","attributes":{"italic":true}},{"insert":" ("},{"insert":"Iris sanguinea","attributes":{"italic":true}},{"insert":") from "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":" ("},{"insert":"Iris laevigata","attributes":{"italic":true}},{"insert":"), both of which are considered to be Japanese irises. But "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":" has thick leaves that are 1 to 3 centimeters wide, whereas "},{"insert":"ayame","attributes":{"italic":true}},{"insert":" has leaves that are 1 centimeter or less wide. "},{"insert":"Kakitsubata","attributes":{"italic":true}},{"insert":" was said to be confused with "},{"insert":"hanashobu","attributes":{"italic":true}},{"insert":" ("},{"insert":"Iris ensata","attributes":{"italic":true}},{"insert":" var. "},{"insert":"ensata","attributes":{"italic":true}},{"insert":") in Britain around 1920, but "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":" has a white line in the center of the outer petals, "},{"insert":"ayame","attributes":{"italic":true}},{"insert":" has a mesh pattern, and "},{"insert":"nohanashobu","attributes":{"italic":true}},{"insert":" ("},{"insert":"Iris ensata","attributes":{"italic":true}},{"insert":" var. "},{"insert":"spontanea","attributes":{"italic":true}},{"insert":") has a yellow line, so these Japanese irises can be distinguished. In Japan, horticulturists developed the "},{"insert":"hanashobu","attributes":{"italic":true}},{"insert":" from the "},{"insert":"nohanashobu","attributes":{"italic":true}},{"insert":", and by the Edo period (1603-1867) the "},{"insert":"hanashobu","attributes":{"italic":true}},{"insert":" became the pride of Japan and an important garden plant. In contrast, the "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":" and "},{"insert":"ayame","attributes":{"italic":true}},{"insert":" were not bred, and so there are only about 20 species. All three species, by the way, are considered Japanese irises. "},{"insert":"Kakitsubata","attributes":{"italic":true}},{"insert":", which appears in the poetry of the "},{"insert":"Man'yoshu","attributes":{"italic":true}},{"insert":" (Collection of Myriad Leaves, after 759), is the earliest known Japanese iris. The word "},{"insert":"kakitsubata ","attributes":{"italic":true}},{"insert":"is said to have derived from "},{"insert":"kakitsukebana","attributes":{"italic":true}},{"insert":" (rubbed in flower, or drawing flower), because it was used to dye clothes.\n       In "},{"insert":"Ise monogatari","attributes":{"italic":true}},{"insert":" (The Tales of Ise, after 880), the author wrote an acrostic poem, using the five kana letters \"ka-ki-tsu-ba-ta\" as the first letter of each line of the poem, to describe his journey: \"She who is like old clothes I've grown accustomed to, remains behind, making me feel keenly the great distance I have covered.\" \n       An example of a painting of "},{"insert":"kakitsubata","attributes":{"italic":true}},{"insert":" is Ogata Korin's"},{"insert":" Irises ","attributes":{"italic":true}},{"insert":"screen (early 18th century), a national treasure. \n"}]}},{"cpid":"lby7gm1dx6jib","type":"jps-curation-section","title":{"ja":"関連するひと・もの・こと","en":"Related People, Things and Events"},"parts":[{"cpid":"lv5ft3z33eyy","type":"jps-curation-list","title":{"ja":"","en":""},"viewType":"card","parts":[{"cpid":"891ljw1fag2hs","type":"jps-curation-list-curation","id":"ndl-laxbZvn8D3X","description":{"ja":"元禄上方文化を牽引した、琳派の大成者。燕子花図屏風 （かきつばたずびょうぶ） 』は国宝。","en":"A leader in Kyoto culture during the Genroku era who perfected the Rin-pa School of painting 1658-1716"},"note":{}},{"cpid":"bompe3xzlz05","type":"jps-curation-list-curation","id":"ndl-rPqrZ2rO778","description":{"ja":"安土桃山期に興った美術上の流派・様式。やまと絵の伝統を基盤に高い装飾性を持つ。「燕子花」をしばしば題材として用いている。","en":"Rinpa is an artistic school and style that flourished during the Azuchi-Momoyama era. It is highly decorative and has roots in the traditions of Yamato-e painting."},"note":{}},{"cpid":"urynn214bpi6i","type":"jps-curation-list-curation","id":"ndl-MA4z2apvD8x","description":{"ja":"「東下り」の「かきつばた」を詠みこんだ歌は有名。","en":"A mid-Heian period poem-tale structured as a biography thought to be of the poet Ariwara no Narihira"},"note":{}},{"cpid":"ekijhp9b5t4t","type":"jps-curation-list-curation","id":"ndl-wG3vW7xaPxl","description":{"ja":"『万葉集』にも「「加吉都播多（カキツハタ）」を詠んだ歌がある。\n","en":"Japan's oldest collection of poetry, compiled in the Nara period"},"note":{}}],"openActionType":"modal"}]},{"cpid":"v2j0dx1d82hmz","type":"jps-curation-section","title":{"ja":"本で知る","en":"Books"},"parts":[{"cpid":"1htzlpb9b4vt3","type":"jps-curation-list","title":{"ja":"","en":""},"viewType":"card","parts":[{"cpid":"tiqd0z1lrcas1","type":"jps-curation-list-item","id":"dignl-2569917","title":{"ja":"萬葉集 巻17　大伴家持","en":""},"description":{"ja":"『万葉集』巻17の大伴家持の歌。「かきつはた　衣（きぬ）に摺り付け  ますらをの　着襲（そ）ひ狩する　月はきにけり（加吉都播多 衣爾須里都気 麻須良雄乃 服曽比猟須流 月者伎爾気里）」。題詞によれば、天平十六年四月五日に、独りで奈良の旧宅にあった時に詠んだもの。「衣に摺り付け」は、布に型紙などをあてて、上から染料をつけた刷毛で摺って模様を染め出すこと。掲出本は、『万葉集』最古の刊本で、慶長年間の刊行。伏見版（円光寺版）の木活字を使用し、不足の文字を新雕し印行したものとされる。万葉仮名の本文のみで、無訓本と通称されるもの。実業家・古書収集家高木利太（1871-1933）旧蔵。\n\n\n","en":""},"note":{},"image":{"itemId":"dignl-2569917","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2569917/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2569917/R0000015/info.json","imgType":"ITEM","x":482,"y":270,"w":5833,"h":4575,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"17no7jdslv46a","type":"jps-curation-list-item","id":"dignl-2544225","title":{"ja":"倭名類聚鈔 巻20","en":""},"description":{"ja":"『倭名類聚鈔』。「劇草」の項に「加木豆波太」の訓が付けられている。『倭名類聚鈔』は、源順（911−983）著の漢和辞典。漢語の名詞を意味によって分類配列し、一種の日用百科辞書的性格をもつ。10巻本と20巻本とがあるが、掲出本は、元和3年（1617）頃に那波道円が校訂・刊行した20巻本の古活字版。源順の自序の前に元和3年付けの林羅山の序と道円の凡例とが付されている。幕末・明治初期の国学者榊原芳野（1832－81）の旧蔵書。","en":""},"note":{},"image":{"itemId":"dignl-2544225","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2544225/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2544225/R0000046/info.json","imgType":"ITEM","x":617,"y":314,"w":6146,"h":4584,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"byce517jxq64","type":"jps-curation-list-item","id":"dignl-1288256","title":{"ja":"嵯峨本伊勢物語 （慶長13年刊）","en":""},"description":{"ja":"嵯峨本『伊勢物語』の最初期の刊本から、「東下り」の「かきつばた」の場面。東国に向かう旅の途中、三河の国の八橋で燕子花が咲いているのを見た「男」が、「かきつばた」五文字を句の頭に置いて、「から衣　きつつなれにし　つましあれば　はるはるきぬる　たひをしそ思ふ」と詠む。嵯峨本は、本阿弥光悦、角倉素庵が刊行に関与したといわれる古活字本で、流麗な活字の書体、豪華な装訂により、美しい古典籍の代表格とされる。『伊勢物語』の嵯峨本は、慶長13年から15年にかけ数種刊行されており、本書は、川瀬一馬氏の分類（『増補古活字版之研究』）によれば、そのうち最初に刊行されたもの（第一種イ本）。具引きの色替り料紙を使用し、整版の挿絵（上25図、下24図）がある。巻末に古典学者中院通勝（1556-1610）の刊語（整版）があり、花押を自署している。\n","en":""},"note":{},"image":{"itemId":"dignl-1287963","manifestUrl":"https://dl.ndl.go.jp/api/iiif/1287963/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/1287963/R0000015/info.json","imgType":"ITEM","x":1187,"y":573,"w":3778,"h":2979,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1o7xze8s4689u","type":"jps-curation-list-item","id":"dignl-1288256","title":{"ja":"嵯峨本伊勢物語 （慶長15年刊）","en":""},"description":{"ja":"同じく嵯峨本の『伊勢物語』の同じ場面。こちらは、慶長15年(1610)の刊記がある具引き素紙刷。慶長13年版をもとにして刊行した旨の刊語がある。挿絵と刊語は整版。掲出頁の上部には「後撰十九　打わたし長き心はやつはしのくもてにをもふ事はたえせし」という書き入れがあるが、これは歌人で若狭小浜城主であった木下長嘯子(1569－1649)によるといわれている。","en":""},"note":{},"image":{"itemId":"dignl-1288256","manifestUrl":"https://dl.ndl.go.jp/api/iiif/1288256/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/1288256/R0000015/info.json","imgType":"ITEM","x":601,"y":556,"w":4186,"h":3314,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"xbrs8yqza9ss","type":"jps-curation-list-item","id":"dignl-1288090","title":{"ja":"嵯峨本謡本  杜若","en":""},"description":{"ja":"「嵯峨本謡本」の『杜若（かきつばた）』。『伊勢物語』の「東下り」を題材にした謡曲。「光悦謡本」、「角倉本」とも通称される観世流謡本の揃いの一冊で、我が国が世界に誇る美しい装丁と印刷の本である。料紙に色替りの染紙が使用されていることから「色替り本」（「第二種本」）と呼ばれ、刊行は慶長末年頃といわれている。","en":""},"note":{},"image":{"itemId":"dignl-1288090","manifestUrl":"https://dl.ndl.go.jp/api/iiif/1288090/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/1288090/R0000006/info.json","imgType":"ITEM","x":823,"y":1035,"w":5295,"h":3518,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1y8zvrxn9lq94","type":"jps-curation-list-item","id":"dignl-2557065","title":{"ja":"花壇綱目　巻上「杜若（かきつはた）」","en":""},"description":{"ja":"わが国最初の総合園芸書刊本。延宝9年（1681）刊。著者の経歴などは未詳。花壇に植える草花、春35・夏81・秋57・冬５・雑６種の計184種について、花の色・形・咲き頃・養土・肥えなどを短く記し、牡丹41・芍薬32・菊79・椿66・梅53・桃８・桜40・ツツジ147品種の花銘を挙げる。掲出の右丁に「杜若（かきつはた）」が載る。また、国会図書館には刊本の元になった寛文４年（1764）序の草稿本（特１－45）とそれにやや手を入れた寛文５年序の草稿本（特１－46）も所蔵されてる。","en":""},"note":{},"image":{"itemId":"dignl-2536268","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2536268/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2536268/R0000012/info.json","imgType":"ITEM","x":477,"y":335,"w":5155,"h":3813,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"w5mr53is4jox","type":"jps-curation-list-item","id":"dignl-2586993","title":{"ja":"草花絵前集　上「かきつばた・鷲の尾杜若」","en":""},"description":{"ja":"日本最初の総合的な園芸植物図説。元禄12年（1699）刊。江戸染井の代表的な植木屋の伊藤三之丞（？－1719）の原画を息子の政武（1667－1757）が編集・刊行したもの。園芸植物120品を取り上げている。\n\n\n","en":""},"note":{},"image":{"itemId":"dignl-2586993","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2586993/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2586993/R0000012/info.json","imgType":"ITEM","x":517,"y":281,"w":5768,"h":4542,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1ypy5y6181e3jl","type":"jps-curation-list-item","id":"dignl-2557466","title":{"ja":"大和本草 　巻7「燕子花（カキツハタ）」","en":""},"description":{"ja":"『大和本草』の「燕子花（かきつはた）」の解説。「国俗昔ヨリ杜若ヲカキツハタトス、非也、杜若ハ、ヤフミヤウカト云モノ也」として、「杜若」は「ヤブミョウガ（ヤフミヤウカ）」のことで、「かきつばた」とは異なると考証している。『大和本草』は、貝原益軒著の本草書。16巻・付録2巻・諸品図2巻。宝永6年（1709）刊。付録と諸品図は正徳5年（1715）刊。「本草綱目」所載のものを基礎に、中国・日本・西洋産を加え、計1362種の本草を集成・分類し、各品種の名称・特質などを解説する。江戸時代博物誌の基本文献の一つ。\n","en":""},"note":{},"image":{"itemId":"dignl-2557366","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2557366/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2557366/R0000022/info.json","imgType":"ITEM","x":656,"y":282,"w":4857,"h":3796,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1im2fda1b30acu","type":"jps-curation-list-item","id":"dignl-2555533","title":{"ja":"東莠南畝讖  巻1「燕子花（カキツバタ）」","en":""},"description":{"ja":"『東莠南畝讖 （とうゆうなんぽしん）』は、西美濃養老の真泉寺住職玄香（？－1749）が描いた動物90品・植物377品のスケッチ集。散策あるいは近辺の寺院への往還での写生と思われ、多数の動植物が入り混じった暖かみのある図が多いのが特徴で、当時の植物相を知る好材料となっている。自序は享保16年（1731）であるが、本文中の年記は享保８年（1723）から寛延元年（1748）に及ぶ。朱筆は後年に小野蘭山が書き入れたもの。\n\n","en":""},"note":{},"image":{"itemId":"dignl-2555533","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2555533/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2555533/R0000027/info.json","imgType":"ITEM","x":923,"y":527,"w":6252,"h":4669,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1ekz41wpbz3dt","type":"jps-curation-list-item","id":"dignl-2536669","title":{"ja":"草木弄葩抄 上巻「かきつはた」","en":""},"description":{"ja":"『草木弄葩抄 』は、江戸前期の園芸書。知名度は低いが、先行する『花壇綱目』や『花壇地錦抄』より記載がはるかに詳しく、草類だけを載せる。著者名は明記されていないが、序文の筆者菊池成胤（浪華の人）と思われる。現存本は上巻であり、これには図が一つも無い。凡例によれば図集を下巻として出版するとあるが、刊行された形跡は認められない。上巻もこの国立国会図書館本以外に知られていない。見出し数は209で、品種の多いキク・シャクヤク・ボタン・ユリは載せていない。注目されるのは、斑入（ふいり）品が30ほど挙げられている点で、江戸時代園芸の大きな特徴である斑入の愛好がすでに始まっていたとわかる。掲出の「かきつはた」の項でも、「これまた花数多し、四季咲あり、ねすみ色あり、白あり、紫あり、地むらさきに白の斑入あり」と、「斑入」の記述がある。","en":""},"note":{},"image":{"itemId":"dignl-2536669","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2536669/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2536669/R0000036/info.json","imgType":"ITEM","x":363,"y":231,"w":4152,"h":3308,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"11axu3q6oilcd","type":"jps-curation-list-item","id":"dignl-2545189","title":{"ja":"万葉集品物図絵 　「かきつはた」","en":""},"description":{"ja":"万葉集に詠まれている動植物計235品を図示し、各品に該当する和歌1首を万葉仮名で挙げた博物書。鹿持雅澄（かもちまさずみ、1791－1858）著。歌と図のみで注記はない。著者の雅澄は土佐藩士の国学者で、『万葉集古義』全141冊があるが、本書はその一部。","en":""},"note":{},"image":{"itemId":"dignl-2545189","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2545189/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2545189/R0000015/info.json","imgType":"ITEM","x":463,"y":255,"w":2702,"h":4499,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"umqbry5mhpl2","type":"jps-curation-list-item","id":"dignl-1286770","title":{"ja":"梅園草木花譜　夏之部「燕子花」","en":""},"description":{"ja":"毛利梅園（1798−1851）による『梅園百花画譜（梅園草木花譜）』の「夏之部」から、燕子花（カキツハタ）。『梅園百花画譜』は、春4・夏8・秋4・冬1の計17帖から成り、約1,300品を描く。江戸時代の植物図譜のうち写生数がもっとも多いものの一つで、正確さでは一二を争う。著者の毛利梅園は、幕臣で御書院番。名は元寿 (もとひさ) 、号梅園・写生斎・華魁舎ほか。『梅園百花画譜』 (梅園草木花譜) 17冊のほか、『梅園菌譜』『梅園魚譜』『梅園介譜』『梅園禽譜』など、実写中心の優れた画譜を数多く残したが、その大半は国会図書館が自筆本を所蔵している。","en":""},"note":{},"image":{"itemId":"dignl-1286770","manifestUrl":"https://dl.ndl.go.jp/api/iiif/1286770/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/1286770/R0000027/info.json","imgType":"ITEM","x":727,"y":307,"w":4730,"h":3420,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"19q9mb61jsjk0x","type":"jps-curation-list-item","id":"dignl-2550776","title":{"ja":"本草図譜 巻10　「杜若（とじゃく）」","en":""},"description":{"ja":"岩崎灌園著の『本草図譜』の「杜若（とじゃく）」の項。「杜若」を「かきつばた」とするのは誤りという貝原益軒『大和本草』などの見解を踏襲しつつ、「杜若」を「ヤブミョウガ」であるという益軒らの説も否定し、「杜若」は、「あをのくまたけらん（青熊竹蘭）」であるとする。この見解は、灌園の『杜若考』でも詳しく述べられている。『本草図譜』は江戸時代の代表的な植物図譜で、筆者岩崎灌園の実見した本草約2000種を写生・彩色して、山草・湿草・毒草などに分類したもの。掲載の図は、国立国会図書館が所蔵する田安家旧蔵本のうちの1冊から。田安家旧蔵本は、『本草図譜』としては稀な完本で、優れた画家に模写させたと思われる良質な図が多いことで知られている。","en":""},"note":{},"linkUrl":"https://dl.ndl.go.jp/info:ndljp/pid/2550777/8","image":{"itemId":"dignl-2550777","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2550777/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2550777/R0000008/info.json","imgType":"ITEM","x":631,"y":304,"w":5578,"h":4496,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"13qtkj211bbotw","type":"jps-curation-list-item","id":"dignl-2535614","description":{"ja":"『本草図譜』の著者、岩崎灌園（1830－1844）による、「杜若」についての考察。写本。「杜若」は、「カキツバタ」でも「ヤブミヤウガ」でもなく、「青のクマタタケラン」であるとするもの。国会図書館には複数の写本が所蔵されるが、掲出本は江戸時代後期の本草学者佐藤中陵（温故斎、1762－1848）の書写によるものと思われる。\n","en":""},"note":{},"image":{"itemId":"dignl-2535614","manifestUrl":"https://dl.ndl.go.jp/api/iiif/2535614/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/2535614/R0000004/info.json","imgType":"ITEM","x":471,"y":252,"w":5790,"h":4779,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"ecd5kq35d2vw","type":"jps-curation-list-search-result","dataType":"item","query":{"csid":"ndl-M6m0kv3GgMm","from":0,"size":7,"keyword":["-萬葉集/巻17//大伴家持","-倭名類聚鈔/巻20","-嵯峨本伊勢物語/（慶長13年刊）","-嵯峨本伊勢物語/（慶長15年刊）","-嵯峨本謡本/杜若","-花壇綱目//巻上「杜若（かきつはた）」","-草花絵前集//上「かきつばた・鷲の尾杜若」","-大和本草///巻7「燕子花（カキツハタ）」","-東莠南畝讖/巻1「燕子花（カキツバタ）」","-草木弄葩抄/上巻「かきつはた」","-万葉集品物図絵///「かきつはた」","-梅園草木花譜///夏之部「燕子花」","-本草図譜/巻10///「杜若（とじゃく）」"],"query":{"f1":["+燕子花","+杜若","+かきつばた","+カキツバタ"],"f2":["-岩井"]}},"csId":"ndl-M6m0kv3GgMm"}],"openActionType":"modal"}]},{"cpid":"15u9fz3fl4ngy","type":"jps-curation-section","title":{"ja":"もっと知りたい","en":"Related Works"},"parts":[{"cpid":"9edcmu3bkdn","type":"jps-curation-list","title":{"ja":"","en":""},"viewType":"card","parts":[{"cpid":"1rndahr1f5smpg","type":"jps-curation-list-item","id":"tfam_art_db-6601","description":{"ja":"画面左下に「伊年印」と呼ばれる俵屋宗達が主宰した工房作を示す商標印が付されている。二曲仕立ての屏風には女竹・蔦・もろこし・芥子・すみれ・桜草・つくし・立葵・竜胆・燕子花・撫子・たんぽぽ・鶏頭・芒・萩など十数種の草花を散見することができる。草花の配置や組み合わせには花卉全体を見渡せるよう配慮がなされている。花々の最盛期を捉えた瑞々しい生命感が心地よく、艶やかな花の色と金地が相まって琳派特有の雅な空間を創り出している。","en":""},"note":{}},{"cpid":"1au3chvnxdolf","type":"jps-curation-list-item","id":"cobas-37896","description":{"ja":"『伊勢物語』の東下りの場面を描いた尾形光琳の作。都から東国に旅する男（在原業平）が、三河国の八橋でかきつばたの咲いているのを目にして、「かきつばた」の5文字を頭において旅の心境を詠む。食事をしている男たちの背景にかきつばたの花と八橋の橋板が描かれている。","en":""},"note":{}},{"cpid":"12hisgychdhv9","type":"jps-curation-list-item","id":"dignl-1906490","title":{"ja":"酒井抱一  燕子花鷭図","en":""},"description":{"ja":"金井紫雲「芸術資料 第一期 第三冊」所収の複製画。 ","en":""},"note":{},"image":{"itemId":"dignl-1906490","manifestUrl":"https://dl.ndl.go.jp/api/iiif/1906490/manifest.json","infoJsonUrl":"https://dl.ndl.go.jp/api/iiif/1906490/R0000004/info.json","imgType":"ITEM","x":1081,"y":583,"w":1558,"h":3487,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1rxt98gmxm8dr","type":"jps-curation-list-item","id":"cobas-49937","description":{"ja":"鈴木春信による『伊勢物語』第9段「八橋」の見立絵。燕子花が咲く川にかかる橋のそばで、草履の紐を締めなおそうとする若い二人。その姿から旅の途中だということがわかる。東下りの旅の途中、三河国八橋で和歌を詠んで都を懐かしんだ古典の世界が当世の男女にやつされている。　","en":""},"note":{}},{"cpid":"ib3r8i1qd55nw","type":"jps-curation-list-item","id":"cobas-38912","description":{"ja":"花車図は江戸時代はじめ、大名家の間で人気のあったモティーフで、主に狩野派の絵師たちによって描かれた。絢爛に金で装飾された花車5輛それぞれに藤、牡丹、杜若（かきつばた）、紫陽花（あじさい）、菊など、四季の花々を載せられている。","en":""},"note":{}},{"cpid":"r94ajbkp3ud2","type":"jps-curation-list-item","id":"apmoa_mapps-17013","description":{"ja":"1887−1936\n明治から昭和時代前期の日本画家、土田麦僊（つちだばくせん）の作。麦僊は、明治20年2月9日生まれ。新潟県出身。土田杏村の兄。鈴木松年、竹内栖鳳に学び、村上華岳、小野竹喬らと国画創作協会を結成した。代表作に「大原女」「舞妓林泉図」などがある。\n\n","en":""},"note":{},"image":{"url":"https://ibmuseum.mapps.ne.jp/files/5899/media_files/large/7624.jpg","itemId":"apmoa_mapps-17013","itemIndex":"0","imgType":"ITEM","x":323,"y":50,"w":294,"h":1089,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1225zq014g1r6b","type":"jps-curation-list-item","id":"tfam_art_db-4060","description":{"ja":"日本画家小林古径の作。古径は、新潟の生まれ。梶田半古に入門し、初めは主に歴史画を描き、第1回文展には《闘草》を出品。後、安田靫彦らが活躍する紅児会に参加。大正3（1914）年には第1回再興院展に出品、同人に推挙される。同11（1922）年、前田青邨とともに渡欧。帰国後、さらに静謐な画境へと入る。昭和19（1944）年に帝国技芸員となり、同年東京美術学校の教授に就任。同25（1950）年、文化勲章を受章した。","en":""},"note":{}},{"cpid":"4zh59p1x6q77x","type":"jps-curation-list-item","id":"apmoa_mapps-16885","description":{"ja":"\n大正から昭和時代の日本画家、登内微笑（とのうちみしょう、1891−1964）の作。微笑は、東京の出身で明治24年生まれ。寺崎広業、菊池契月に学び、京都市立絵画専門学校(現京都市立芸大)卒。\n\n\n","en":""},"note":{},"image":{"url":"https://ibmuseum.mapps.ne.jp/files/5899/media_files/large/7202.jpg","itemId":"apmoa_mapps-16885","itemIndex":"0","imgType":"ITEM","x":180,"y":81,"w":1146,"h":1005,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"1j3aq7yh6a0xh","type":"jps-curation-list-item","id":"cobas-81042","description":{"ja":"『伊勢物語』第九段、三河国八橋の情景を描いた硯箱。尾形光琳作。大胆な構図に、圧倒的なデザイン力が示されている。光琳は、八橋を主題にした屏風絵の名品をいくつか残しており、このテーマは自家薬籠中のものであったと考えられる。","en":""},"note":{}},{"cpid":"184g5qcx2rxo8","type":"jps-curation-list-item","id":"apmoa_mapps-14264","description":{"ja":"桃山時代（16世紀末）の作。","en":""},"note":{}},{"cpid":"gucwuu12p386z","type":"jps-curation-list-item","id":"arc_nishikie-AIC_1939_2258_167_","description":{"ja":"『能楽図会』の杜若。『能楽図絵』は、明治‐大正時代の日本画家、月岡耕漁（1869−1927）による木版の能楽絵。「杜若」は、作者不詳の謡曲。「伊勢物語」の「東下り」を題材とする。","en":""},"note":{},"image":{"url":"https://www.artic.edu/iiif/2/5019d206-aaeb-c8b7-c71b-60237851a4b8/full/!2700,2700/0/default.jpg","thumbnailUrl":"https://www.artic.edu/iiif/2/5019d206-aaeb-c8b7-c71b-60237851a4b8/full/!240,240/0/default.jpg","itemId":"arc_nishikie-AIC_1939_2258_167_","itemIndex":"0","imgType":"ITEM","x":27,"y":11,"w":806,"h":556,"title":{"ja":"","en":""},"description":{"ja":"","en":""},"source":{"ja":"","en":""}}},{"cpid":"bkldsf10ep62b","type":"jps-curation-list-search-result","dataType":"item","query":{"csid":"ndl-6M2bzB9bBAb","from":0,"size":7,"keyword":["+燕子花","+杜若","+かきつばた","+カキツバタ","-春秋草花図屏風","-伊勢物語八橋図","-見立伊勢物語（八つ橋）","-花車図屏風","-土田麦僊","-小林古径","-八橋蒔絵螺鈿硯箱","-志野杜若文茶器","-縫箔紅白緑紫段籠目杜若模様","-「能楽図絵」","「杜若」","-登内微笑"],"query":{"cobas-4-s":["-染織"]}},"csId":"ndl-6M2bzB9bBAb"}],"openActionType":"modal"},{"cpid":"e8x34cdjt98x","type":"jps-curation-list","title":{"ja":"かきつばた模様の衣装","en":"Japanese iris patterned kimono"},"viewType":"card","parts":[{"cpid":"17afsv31gm4u9w","type":"jps-curation-list-search-result","dataType":"item","query":{"csid":"jps-cross","from":0,"size":7,"keyword":["+燕子花","+杜若","+かきつばた"],"query":{"cobas-4-s":["+染織"]},"filter":{"db":["cobas"]}},"csId":"jps-cross"}],"openActionType":"modal"}]},{"cpid":"ww1lna1j4z1bg","type":"jps-curation-list","title":{"ja":"動画を探す","en":"Videos"},"viewType":"card","parts":[{"cpid":"1nic0mb1ovi1oz","type":"jps-curation-list-search-result","dataType":"item","query":{"csid":"ndl-8X8XQwDzEN","from":0,"size":7,"keyword":["+かきつばた","+燕子花","+杜若"]},"csId":"ndl-8X8XQwDzEN"}],"openActionType":"modal"},{"cpid":"4r49hujj4jte","type":"jps-curation-list","title":{"ja":"過去の展覧会を探す","en":"Past Exhibitions"},"viewType":"table","csId":"ndl-8g7AAZ99nnfZB2B","parts":[{"cpid":"1r065yha0pirx","type":"jps-curation-list-search-result","dataType":"item","query":{"csid":"ndl-8g7AAZ99nnfZB2B","from":0,"size":7,"keyword":["+かきつばた","+杜若","+燕子花"]},"csId":"ndl-8g7AAZ99nnfZB2B"}],"openActionType":"modal"},{"cpid":"wf49e2velptr","type":"jps-curation-section","title":{"ja":"見に行く","en":"Institutions Holding Related Materials"},"parts":[{"cpid":"6uqlfu1stm4bi","type":"jps-curation-list","title":{"ja":"","en":""},"viewType":"bullet","parts":[{"cpid":"1oey6w51t81hj6","type":"jps-curation-list-organization","id":"ndl","note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"1jph9ce10zbdx8","type":"jps-curation-list-organization","id":"naj","note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"obticq2zp5lh","type":"jps-curation-list-organization","id":"tnm","note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"1d70w5r1cn9i7v","type":"jps-curation-list-organization","id":"kyohaku","note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"1hmskeu14t33nx","type":"jps-curation-list-organization","id":"apmoa","note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"5wioo1as5kt2","type":"jps-curation-list-organization","id":"fujibi","note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}}],"openActionType":"modal"}]},{"cpid":"1b2n3j01m9pys6","type":"jps-curation-section","title":{"ja":"ジャパンサーチの外で調べる","en":"External Links"},"parts":[{"cpid":"kqpu9y16hjqsm","type":"jps-curation-list","title":{"ja":"","en":""},"viewType":"bullet","parts":[{"cpid":"1as2n0w10ogjkw","type":"jps-curation-list-external-link","title":{"ja":"NHKみんなの趣味の園芸　育て方がわかる植物図鑑・花図鑑　カキツバタ","en":""},"url":"https://www.shuminoengei.jp/m-pc/a-page_p_detail/target_plant_code-645","description":{"ja":"植物・花の基本情報、育て方などを「趣味の園芸」講師陣の専門家が執筆。園芸相談Q&Aや特集コーナーがある。「NHKみんなの趣味の園芸」（NHK出版）公式サイト。","en":""},"note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"t35stocdter2","type":"jps-curation-list-external-link","title":{"ja":"自然教育園の生物データベース　カキツバタ","en":""},"url":"http://www.ins.kahaku.go.jp/database/index.php","description":{"ja":"国立科学博物館附属自然教育園内に生息している生物の種名や写真を調べることができる。","en":""},"note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"i4aj7wec43rp","type":"jps-curation-list-external-link","title":{"ja":"筑波実験植物園　植物図鑑　カキツバタ","en":""},"url":"http://www.tbg.kahaku.go.jp/recommend/illustrated/index.php","description":{"ja":"国立科学博物館筑波実験植物園内の植物を検索することができる。研究者ノートなど専門的な解説もある。","en":""},"note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}},{"cpid":"pbx931auhul3","type":"jps-curation-list-external-link","title":{"ja":"銕仙会　能楽事典　杜若","en":""},"url":"http://www.tessen.org/dictionary/explain/kakitsubata","description":{"ja":"登場人物や曲の概要、上演記録を閲覧できる。銕仙会運営のサイト。","en":""},"note":{"ja":{"ops":[{"insert":"\n"}]},"en":{"ops":[{"insert":"\n"}]}}}],"openActionType":"modal"}]},{"cpid":"rm0pst1c0qkxj","type":"jps-curation-list","title":{"ja":"参考文献","en":"References"},"viewType":"reference","parts":[{"cpid":"kg6bgy8nage","type":"jps-curation-list-external-link","title":{"ja":"『日本大百科全書(ニッポニカ)』（JapanKnowledge） ","en":""},"url":"https://japanknowledge.com/contents/nipponica/","description":{"ja":"「カキツバタ」の項目。","en":""},"note":{}},{"cpid":"1e7v18pexswu2","type":"jps-curation-list-external-link","title":{"ja":"『世界大百科事典』（JapanKnowledge） の項目","en":""},"url":"https://japanknowledge.com/contents/sekaidaihyakka/","description":{"ja":"「カキツバタ」の項目。","en":""},"note":{}},{"cpid":"784kp4sjejta","type":"jps-curation-list-external-link","title":{"ja":"『日本国語大辞典』（japanknowledge）","en":""},"url":"https://japanknowledge.com/contents/nikkoku/","description":{"ja":"「かきつばた」の項目。","en":""},"note":{}},{"cpid":"1baxmq31vq8iz4","type":"jps-curation-list-item","id":"bibnl-97011485","title":{"ja":"新編日本古典文学全集（『万葉集４』）","en":""},"note":{}},{"cpid":"1h2gpit65mmsw","type":"jps-curation-list-item","id":"bibnl-95029709","title":{"ja":"新編日本古典文学全集（『伊勢物語』）","en":""},"note":{}},{"cpid":"1g5obru1axoyhz","type":"jps-curation-list-external-link","title":{"ja":"JapanKnowledge 所収コンテンツの最終アクセス日は、いずれも2021/2/27。","en":""},"description":{"ja":"","en":""},"note":{}}],"openActionType":"modal"}]}